Showing posts with label 2009. Show all posts
Showing posts with label 2009. Show all posts
I absolutely love Fullmetal Alchemist Brotherhood. I has to be in my top three anime of all time if not my favorite. Naturally, when I saw that there was also a follow-up movie for this 2009 version of the tale I was skeptical. The Sacred Star of Milos did have a different director but it was still under the same studio so I didn't really know what to thing. I should have gone in with little expectation. This movie isn't very good. The style and setup is great but quickly becomes generic and predicable.

The story of The Sacred Star of Milos takes place during the Brotherhood storyline, oddly enough. The audience never knows specifically when but from what I could gather it takes place after Alphonse remembers "the truth" (thus he is able to transmute without a circle) but before the brothers know of Father's plans of sacrifice. This bugs me. Because of the pace that the anime has I just don't see anyway that anything other than their main mission could take place between the these two plot points. Before or after, sure, but it's just odd that they chose this scenario of events to play around with in the first place. After doing some research, however, I have found that most of the fanbase doesn't consider this story canon so I don't really know what to think.

Anyway, at the start of the film we are introdced to two siblings, Julia and Ashleigh (strange spelling) Crichton, whose parents are famous alchemists around these parts. Two wolf chimeras slip into their house while they are distracted and kill the father and mother while Ashleigh escapes leaving Julia to fend for herself. Years later, Ed and Al are celebrating the generic Amestris harvest festival when suddenly a powerful Alchemist escapes from Prison and, when the brothers try to confront him, they are unable to detain him because of his strange alchemy. After a short investigation run by Mustang, they discover that this mysterious man is after a girl from Creta named Julia who has been recently detained for illegally immigrating to Amestris. With this information, Edward and Alphonse Elric travel to Table City on the border between Creta and Amestris to learn about this strange alchemy and capture the man.

I do like the premise here. All of the above takes up the first fifteen minutes of the film and I was never disinterested. I truly wanted to see where this went. When the brothers actually get into Table City is when the problems start. On the ride there, the train gets attacked by a group of gliding militants and Ed and Al have to fight both them and a wolf chimera. This action scene doesn't just look amazing but it creates a sense that something isn't quite right because of the warring factions. Then after they find Julia everybody makes up and the story turns into every Fullmetal Alchemist plot ever with the bad guys trying to create a Philosopher's Stone by sacrificing the story. We've seen it a hundred times and it's getting boring now.

It makes me upset because the film started out so incredibly strong with motivations other than "get the stone." We could have had Ed and Al taking sides with the mysterious man or the faction of militants who call themselves the Black Bats. Or maybe the brothers had to try to get them to work together in order to fend off either the Amestrian or Cretan military. Or the plot could have been weaved into the Brotherhood plotline nicely with meaningful conversations about Chimeras or Humunculi. After the first half hour of the film it feels tedious because of how similar it is to everything else Fullmetal Alchemist. Just another story about douche-canoes wanting more power through the Philosopher's Stone.

Despite the story and theming problems, the movie isn't all bad. The animation is top notch but I am very torn on the style. It's hard to explain.

Take this:
Versus this:











The main thing that I notice is the line composition. The Sacred Star of Milos clip is hard and rough while the similar Brotherhood clip is soft and clean. The style is different but not necessarily bad. It just took me a long time to get used to. The music is also very good. The nation of Creta is based on real-world Spain so, fittingly, the music takes a lot of inspiration from that region and culture. It isn't anything to write home about but I do appreciate the fact that the creators of Fullmetal Alchemist do their research on everything from architecture to music.

If you've seen the plot of the 2003 FMA or Brotherhood than you've seen The Sacred Star of Milos. The animation and music is different and interesting in its own right and the film starts out strong but the entire experience is predictable and honestly boring.

Fullmetal Alchemist Brotherhood: The Sacred Star of Milos is not interesting but any FMA fan should still give it a watch.
I'll be honest, it's not easy for me to pick favorites. It just might be tacky to say this, but my favorite anime of all time is Fullmetal Alchemist Brotherhood. The original 2003 series showed me the possibilities of what anime could be but Brotherhood solidified the idea that anime, just like everything else in this world, could be art. With that in mind, I simply cannot review this piece of art without spoiling the original series and at least a little bit of this one. So let this be known: Fullmetal Alchemist Brotherhood is one of my all time favorite things that exists and very well may be the best anime of all time. With that out of the way, I can talk about what makes this show so special.

For my first paragraph I would usually run down the general setup of the world and the characters and their motivations. I don't feel that I need to do that here. If you truly do need this then I recommend you read my FMA 2003 review. For this post, however, I am mostly just going to go over the differences between the two series.

For starters, the humunculi have changed slightly from their 2003 counterparts. The biggest change is their creation. The 2003 series had the humunculi being created from the people that had tried the taboo of human transmutation. I did like this idea because it gave each humunculus a connection to the characters but it didn't capitalize on this fact like I hoped it would. Brotherhood gets rid of this problem completely by having each of the humunculus being created by Father, who is a way more sinister bad guy than Dantes from the original series. Some of the humunculi's names and forms have been changed as well. Instead of Sloth being a liquid version of Ed and Al's mother, he is now a gigantic monster who is actually quite sloth-like. Pride is no longer the Fuhrer. Instead, the Fuhrer takes the name of Wrath.

I feel like these changes, even though they existed first through the original manga, are welcome as their names correspond more to their individual desires. In the 2003 series, Pride wasn't very Prideful, Sloth wasn't slothful, and so on. With these new identities, they each have to deal with the fact that they are based on the seven deadly sins and it makes me even feel bad for them at times. Especially Pride, Wrath, and Greed who all get more screen time then I ever would have expected.

The first twelve episodes of Brotherhood are equivalent to the the first twenty-four episodes of 2003. I have heard this as a complaint as some characters like Hughes and Shao Tucker don't get enough screen time but, to be fair, they don't get a whole lot of time to develop in the manga either. After the first twelve episodes, Brotherhood takes off into a whole new never-before-seen arc and introduces two new Brotherhood-only characters: May Chang and Ling Yao. If you've seen 2003 as many times as I have, these new characters and new surroundings come as a breath of fresh air. Later in the series we get even more characters and even more buildup to the eventual epic battle with Father.

In my FMA 2003 review, I mentioned on how amazingly emotional the soundtrack was. I am very proud to say that Brotherhood does not disappoint as it breaths new life into the music that the series is known for. We don't have the same standout tracks like Bratja but we do get a lot of new and unique tracks to take their place. With that being said, I do like 2003's soundtrack more because of Bratja. That one song is enough to tip the scales for me personally and I do truly wish that Brotherhood had included it at least once in the series.

I didn't mention the English voice acting in my 2003 review, but dang is it impressive. Every single voice actor does their absolute best in Brotherhood. Most of the talents reprise their roles. Alphonse's voice actor was too old for the part so Funimation went for a female actress and Scar's voice actor was replaced for one reason for another. Honestly, though, it's hard to tell. Al's very first line of the show is very noticeably a girl's voice but by the fourth episode sounds exactly like the actor from 2003. Scar sounds exactly the same from top to bottom. And, of course, Vic Mignogna returns as the voice for Edward Elric in quite possibly my favorite performance in any animated show ever.

As for the animation of this new re-imagined series, it is leagues better than anything that 2003 had to offer and I already thought that show's animation was really good. There are just so many moments of pure sakuga in this show. Any battle that involves Ling and the entirety of both the fourth and fifth seasons are just astonishing to look at. The one thing that I do think the show lacks, however, is its color palette. It seems like 2003 knew exactly what it was doing one-hundred percent of the time regarding the lighting and palette of each of its scenes. Brotherhood, on the other hand, wasn't as good. It is still far better than most shows out there even today, though.

Go watch Fullmetal Alchemist Brotherhood. Just do it. It is my favorite anime of all time and I know that so many others feel the same.

Fullmetal Alchemist Brotherhood is breathtakingly and believably beautiful.
Every generation there is a movie that does something new and innovative that kicks the industry in the backside and tells it to keep moving forward. Before 2009 it was hard for movie makers to take CGI to the next level because of its complexity. James Cameron changed the game with Avatar. Audiences and critics alike were astonished by how lifelike the world and characters of Pandora were and for good reason. There had been nothing quite this bold before. But does it stand the test of time seven years later?

Avatar is a strange movie. Whenever I talk with friends about it we don't discuss the intricacies of the story or the depth of the characters. Rather, they just say how amazing it was to look at seven years ago. The reason is, the plot isn't very deep or new. In fact, its rather predictable. If you've seen any adventure flick with a theme of "save the planet" than you've seen Avatar. It does have good characters but none of them really resonated with me in particular. This is where the Extended Edition comes in handy because the few extra scenes that it has do a lot to enhance some character motivations. Why does Neytiri not trust the 'sky people'? In the original her motivation could just be interpreted to be because of her culture. In the Extended Edition, however, it is explained that her sister was killed by the military which created friction between her and Grace and by extension, the humans. There are many more examples of this throughout the Extended Edition and I would say that it is the best way to view this movie, despite the three hour run-time.

Seven years ago, when Avatar was released into theatres worldwide, I was utterly amazed by how it looked. Back then I was just interested in how lifelike the characters and environments were but now I can appreciate the film and a whole new light. Not just is the directing very well done but Pandora itself is just beautiful. When I was younger I liked the variety of unique animals but now I even love the alive vines and the bio-luminescent flowers. Though some scenes look slightly more animated than I remember them, the design of the world is absolutely alluring.

The soundtrack for Avatar deserves a round of applause. At its core it may seem like basic tribal music but the way the film uses the score in specific scenes is aw inspiring. The flutes and percussion of "The Bio-luminescence Of The Night" and the high jingles of "Pure Spirits Of The Forest" help shape the world of Pandora to be quite a unique one.

Avatar has aged well since 2009. Though the CGI doesn't look quite as good as it did and the story is too easy to guess, the texture and sound of the world is great enough to keep me coming back.

Avatar is predicable wonderment. 
This movie caught me completely off guard. The characters are fun. The environments, beautiful. And the directing and costume work is outstanding. Based on the world-famous children's book by the same name, which everyone in their parent figure has read, Where The Wild Things Are follows a young boy named Max who has a very active imagination. Through clever directing and hidden clues, the audience can decipher that Max's parents are divorced and that his household is a troubled one to say the least. Because of this, Max feels very alone and, after getting into some trouble with his mom, decides to run away. While he's running he is transported into a strange world run by the "Wild Things." He quickly declares himself king of the new world by convincing the creatures that he has amazing magical powers.

It seems very simple and even slightly cliché as everyone has at least heard of the material it is based off of but it is actually a very complex story with real character. The film lets you, the audience, experience just enough time with each monster and they all feel very unique with differing backstories and relationships with one another. It turns what was once just a basic children's tale to a very serious and even sometimes adult movie with themes that many younger kids won't be able to connect with right away. Themes of dealing with depression and anxiety, being afraid to express yourself, feeling that you don't have a say in anything. This is still a kids' movie at heart, though. There are a lot of fantastical scenes that can be done because of the audience's belief that all of this is taking place inside Max's mind. In this fictional world, there can be a desert right outside of a forest which is also right outside of a mountainous region which also happens to be bordering a beautiful beach. It gives the sense that anything is possible in this world and creates a great suspension of disbelief.

One thing that I personally loved about Where The Wild Things Are is the blend of practical effects and CGI. All of the "Wild Things" are just men in well-made suits but the facial movements are done with CGI to make the creatures look real. The soundtrack also fits perfectly with the theme of the movie and will stick with you well after you've finished.

Where The Wild Things Are is wild!