Showing posts with label of. Show all posts
Showing posts with label of. Show all posts
I absolutely love Fullmetal Alchemist Brotherhood. I has to be in my top three anime of all time if not my favorite. Naturally, when I saw that there was also a follow-up movie for this 2009 version of the tale I was skeptical. The Sacred Star of Milos did have a different director but it was still under the same studio so I didn't really know what to thing. I should have gone in with little expectation. This movie isn't very good. The style and setup is great but quickly becomes generic and predicable.

The story of The Sacred Star of Milos takes place during the Brotherhood storyline, oddly enough. The audience never knows specifically when but from what I could gather it takes place after Alphonse remembers "the truth" (thus he is able to transmute without a circle) but before the brothers know of Father's plans of sacrifice. This bugs me. Because of the pace that the anime has I just don't see anyway that anything other than their main mission could take place between the these two plot points. Before or after, sure, but it's just odd that they chose this scenario of events to play around with in the first place. After doing some research, however, I have found that most of the fanbase doesn't consider this story canon so I don't really know what to think.

Anyway, at the start of the film we are introdced to two siblings, Julia and Ashleigh (strange spelling) Crichton, whose parents are famous alchemists around these parts. Two wolf chimeras slip into their house while they are distracted and kill the father and mother while Ashleigh escapes leaving Julia to fend for herself. Years later, Ed and Al are celebrating the generic Amestris harvest festival when suddenly a powerful Alchemist escapes from Prison and, when the brothers try to confront him, they are unable to detain him because of his strange alchemy. After a short investigation run by Mustang, they discover that this mysterious man is after a girl from Creta named Julia who has been recently detained for illegally immigrating to Amestris. With this information, Edward and Alphonse Elric travel to Table City on the border between Creta and Amestris to learn about this strange alchemy and capture the man.

I do like the premise here. All of the above takes up the first fifteen minutes of the film and I was never disinterested. I truly wanted to see where this went. When the brothers actually get into Table City is when the problems start. On the ride there, the train gets attacked by a group of gliding militants and Ed and Al have to fight both them and a wolf chimera. This action scene doesn't just look amazing but it creates a sense that something isn't quite right because of the warring factions. Then after they find Julia everybody makes up and the story turns into every Fullmetal Alchemist plot ever with the bad guys trying to create a Philosopher's Stone by sacrificing the story. We've seen it a hundred times and it's getting boring now.

It makes me upset because the film started out so incredibly strong with motivations other than "get the stone." We could have had Ed and Al taking sides with the mysterious man or the faction of militants who call themselves the Black Bats. Or maybe the brothers had to try to get them to work together in order to fend off either the Amestrian or Cretan military. Or the plot could have been weaved into the Brotherhood plotline nicely with meaningful conversations about Chimeras or Humunculi. After the first half hour of the film it feels tedious because of how similar it is to everything else Fullmetal Alchemist. Just another story about douche-canoes wanting more power through the Philosopher's Stone.

Despite the story and theming problems, the movie isn't all bad. The animation is top notch but I am very torn on the style. It's hard to explain.

Take this:
Versus this:











The main thing that I notice is the line composition. The Sacred Star of Milos clip is hard and rough while the similar Brotherhood clip is soft and clean. The style is different but not necessarily bad. It just took me a long time to get used to. The music is also very good. The nation of Creta is based on real-world Spain so, fittingly, the music takes a lot of inspiration from that region and culture. It isn't anything to write home about but I do appreciate the fact that the creators of Fullmetal Alchemist do their research on everything from architecture to music.

If you've seen the plot of the 2003 FMA or Brotherhood than you've seen The Sacred Star of Milos. The animation and music is different and interesting in its own right and the film starts out strong but the entire experience is predictable and honestly boring.

Fullmetal Alchemist Brotherhood: The Sacred Star of Milos is not interesting but any FMA fan should still give it a watch.
Grave of the Fireflies is truly like nothing I've ever seen. It's not just somber but provides an atmosphere and tone that just isn't seen in a whole lot of other Studio Ghibli movies. I mean that as in no other Ghibli film reaches this point of pure emotion and heartbreak. Because of this, it is the only Ghibli movie that I find to be hard to watch. This might be mainly because of the very opening of the film which starts off with the two main characters, Seita and Setsuko, dying. This very first scene is what makes the experience all the more sorrowful. As you travel through the war life that this brother and sister have to go to you want to see them make it through their struggles and come out on top in the end. You like to see them succeed and hate to see them fail. In the end, however, they can't succeed because you've been told that they won't. This creates a strange dichotomy in scenes that, if stuck into any other film, would seem happy if not for the fact that you know the characters' fates. The moral of Grave of the Fireflies is also not thrown in your face like other Ghibli films in part because the movie can be taken differently by different viewers and critics alike. Doug Walker from Nostalgia Critic, for instance, takes the principle of the movie as a battle between one's pride and their own senses. Though I don't not agree of that statement, I believe that it is more a tale sacrifice. Seita wants to protect and feed Setsuko but knows that he will have to give up some of his own rations and break the law in order to do so. Seita also wants to leave his Aunt's residence for their own sanity but will have to give up a whole lot of protection to do that. The whole movie seems like a constant tug of war between what we believe to be right and what Seita believes to be right. But looking back on Grave of the Fireflies and emotional movies in general, isn't that usually the case. As a viewer we feel empathy for characters who we know are doing wrong and are in fact fictional, but can't stand to watch them fail in the end. This is why this film is so beautiful. It's interpretive. It's emotional. And most importantly of all, it's a film and we know it. We don't only feel sorry for the characters but, in one way or another, we feel saddened by the fact that we can't help them.

Grave of the Fireflies is beautiful.