Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts
Every generation there is a movie that does something new and innovative that kicks the industry in the backside and tells it to keep moving forward. Before 2009 it was hard for movie makers to take CGI to the next level because of its complexity. James Cameron changed the game with Avatar. Audiences and critics alike were astonished by how lifelike the world and characters of Pandora were and for good reason. There had been nothing quite this bold before. But does it stand the test of time seven years later?

Avatar is a strange movie. Whenever I talk with friends about it we don't discuss the intricacies of the story or the depth of the characters. Rather, they just say how amazing it was to look at seven years ago. The reason is, the plot isn't very deep or new. In fact, its rather predictable. If you've seen any adventure flick with a theme of "save the planet" than you've seen Avatar. It does have good characters but none of them really resonated with me in particular. This is where the Extended Edition comes in handy because the few extra scenes that it has do a lot to enhance some character motivations. Why does Neytiri not trust the 'sky people'? In the original her motivation could just be interpreted to be because of her culture. In the Extended Edition, however, it is explained that her sister was killed by the military which created friction between her and Grace and by extension, the humans. There are many more examples of this throughout the Extended Edition and I would say that it is the best way to view this movie, despite the three hour run-time.

Seven years ago, when Avatar was released into theatres worldwide, I was utterly amazed by how it looked. Back then I was just interested in how lifelike the characters and environments were but now I can appreciate the film and a whole new light. Not just is the directing very well done but Pandora itself is just beautiful. When I was younger I liked the variety of unique animals but now I even love the alive vines and the bio-luminescent flowers. Though some scenes look slightly more animated than I remember them, the design of the world is absolutely alluring.

The soundtrack for Avatar deserves a round of applause. At its core it may seem like basic tribal music but the way the film uses the score in specific scenes is aw inspiring. The flutes and percussion of "The Bio-luminescence Of The Night" and the high jingles of "Pure Spirits Of The Forest" help shape the world of Pandora to be quite a unique one.

Avatar has aged well since 2009. Though the CGI doesn't look quite as good as it did and the story is too easy to guess, the texture and sound of the world is great enough to keep me coming back.

Avatar is predicable wonderment. 
Where do I even start? Ridley Scott's Blade Runner is a fantastic piece of 1980s art. From its stellar soundtrack to vast and comprehensive world and relatable characters, Blade Runner impressed to a point that not many other films have. Even after a single viewing of the original 1982 version, this film has to be one of the best I've seen. Ever. 

Blade Runner stars Harrison Ford as Rick Deckard, a former Blade Runner who hunts down escaped replicants and "retires" them which is really just killing them. These replicants are manufactured AI that, for years, have been used all over Earth and subsequently on other space colonies. In 2019, replicants have become illegal on Earth and after an incident with a rogue replicant killing a Blade Runner, Deckard is told of four in total that have successfully made it onto Earth and is assigned to retiring all of them. 

One aspect of the film that I absolutely adore is the fact that I don't know who to root for. Sure Deckard is the protagonist but the rogue replicants have reasonable reasons for doing the things that they do. That reason being that they only have a lifespan of four years, despite looking like average adults. The only reason that they are causing trouble is because they want to find a cure for whatever is making them die after four years. This is exemplified when Deckard comes into contact with a women named Rachael who he knows for sure is a replicant. She, however, has memories from her childhood which convinces her otherwise and, as their relationship grows, the audience gets to realize just how human these replicants actually are. It's an AI story that, though done many times, seems to have been shown to its full extent if not started here. 

Blade Runner looks and sounds absolutely beautiful. Though the technology and effects used are noticeably dated, the cityscape is nothing short of stunning. Even on the city streets, everything is perfectly lit and themed in such a way to give me chills in certain scenes. As stated, the technology is dated but meshes so well with the world that I can lift my suspension of disbelief just enough to get absorbed in it. None of this would matter, however, without the music. Words for it: divine, ravishing, alluring, and even dark. The soundtrack is composed by the Greek composer Vangelis who has written for films of all types but surprisingly no mainstream films besides Blade Runner and he has done a fantastic job of capturing the noir feel of this futuristic (at least by 1980s standards) music with mostly jazz and operatic pieces. The visuals and the sound come together in a romantically stunning dance to give us the great atmosphere of Blade Runner.

I have seen so many films and shows that try to replicate the feel that Blade Runner gave us back in the 1980s. Now I know where it all started. From an absolutely brilliant film about a tense subject. Though other films from the era tried their hand at an AI-centric plot, Blade Runner has the bar set and I don't see it going dropping anytime soon.

Blade Runner is brilliant.